name |
About Chiyoichi Shimizu
gA perfect ware should express its mass, yet it should
feel light when held in the hands. I hope to create
wares that incorporate the heritage of Japanese history
and the tradition of Tanba, that is to say wares that
possess the unique beauty, the subtle hues that one
never tires of, that are accidentally produced in the
kiln.
I am very content when I can express something of myself
through the process. Take a flower vase, a tea ware
or tableware; it is the flower, food or the user that
brings out the true utility of that ware. It must be
pleasing for the owner to use and loved for its utility,
such is the nature of any true master piece ever produced.
I endeavor to create something that will emotionally
move the person who views or uses my work.h by Chiyoichi
Shimizu, March 2002.
Chiyoichi SHIMIZU upholds the traditional craftsmanship
of Tachikui pottery at Tanba-Tachikui. Tachikui pottery
(also known as Tanba pottery) dates as far back as the
late Heian to early Kamakura period (1180-1230), and
is considered one of the 6 ancient pottery sites of
Japan, along with the kilns of Seto, Tokoname, Shigaraki,
Bizen and Echizen. Generations of artisans including
Chiyoichi have fallen in love with the clay and natural
elements of Tanba. Today, the local artisans continue
their 800 year old craft using traditional methods,
clay, glazes and firing techniques inherited from generations
of skilled master potters.
According to Chiyoichi, an artisan is a craftsman who
creates gtoolsh made of clay. A tool is no good if it
is only for viewing, but it must have perfection in
its utility. Whether it be a flower vase, a serving
plate, or a sake server, Chiyoichi maintains that his
work must be appreciated by its user for its functionality
as well as its comfortable fit in the hands. When you
actually hold one of his works in your hand and take
a sip, you will be pleasantly surprised by its snug
fit and comfortable texture. This not only speaks for
Chiyoichifs skill at the potterfs wheel, but his attitude
as a craftsman and his strong desire to create utensils
that gives ever lasting pleasure to the owners.
Chiyoichi SHIMIZU maintains the unique glazing technique
known as Tanba natural glaze and continues to transform
clay of Tanba at his ascending kiln into fine works
of art that will be appreciated by the generations yet
to come.
1948 Born in Kami-Tachikui, Konda-cho, Shinoyama, Hyogo,
Japan.
1969 Fires his first kiln at Tanba-Tachikui, one of
the oldest kiln sites in Japan.
1971 Dedicated gTanba Yaki Vaseh to Meiji Shrine.
1974 Visited 6 European nations as a member of the Japanese
Culture and Art Troop.
1978 Art exploration tour of U.S.A. and Canada.
1978 Invited to exhibit at Modern Craftsman Exhibition
at Kyoto Museum
1982 Spent 2 months at Chong Rye Whang Ceramics Research
Institution in Korea as visiting artist. (Chong Rye
Whang is a Korean National Living Treasure.)
1983 Ceramics art tour of S.E. Asian nations.
1988 Opened Museum of Modern Craftsmen at 6 Oldest Kiln
of Japan
1992 Individual Exhibition at an art gallery in Rockefeller
Plaza, NY.
1992 Tanba Red Clay Yo-Hen Vase acquired by Brooklyn
Museum.
1994 25th Year Anniversary Commemoration publication
of Compilation of Works.
|